Reaction to Led Zeppelin! Physical Graffiti Full Album Review! 1st Time Hearing Father & Son!

Led Zeppelin’s double album "Physical Graffiti" is up for review today, and we give our reactions to Led Zeppelin’s classic in a track by track format! This is the first time we have listened to Physical Graffiti, and are looking forward to continuing through their discography in the future! Onto Presence next! COMMENT your favorite track below, and be sure to LIKE and SUBSCRIBE! We upload multiple times a week so make sure you subscribe so you don't miss out! Check out our other LED ZEPPELIN REVIEWS:    • Led Zeppelin   Support us on Patreon!:   / reactionstotheclassics   Join our Facebook Group!:   / 432430687517673   Quick Facts: • 6th Studio Album released in February 1975 as a double-album and 1st on their new record label, Swan Song Records, distributed through their former label Atlantic. Release was delayed nearly 3 months because of the album cover. • Rolling Stones #73 500 Greatest Albums of All-Time 1. Custard Pie – Page played guitar solo through an ARP synthesizer, while Jones overdubbed a Clavinet part and Plant played harmonica 2. The Rover – Writing for the song began in 1970 at Bron-Yr-Aur, a rustic retreat in Wales. Initially an acoustic piece for Led Zeppelin III. 3. In My Time of Dying - 11:04, longest studio track by the group. Bonham's drums were recorded with a distinctive reverb effect, in the same manner as on the track "When the Levee Breaks" from Led Zeppelin's fourth album. 4. Houses of the Holy – Name of song was used for title of band's 5th album, although was not included on that album, In order to create the layered guitar introduction and fade-out, Page used a Delta T digital delay unit. 5. Trampled Under Foot - A funk-influenced piece, Released as single in US was a top 40 hit, with lyrics inspired by Robert Johnson's 1936 "Terraplane Blues". 6. Kashmir (Bonham, Page, and Plant) – 8:37, written by Page and Plant (with contributions from Bonham) over a period of 3 years. The riff uses a non-standard guitar tuning, influenced by Page's interest in modal tunings and Arabic and Eastern music. 7. In The Light (Jones, Page, and Plant) – 8:44, composed primarily by Jones on synthesizer, though Plant and Page also received songwriting credits. Unique sound of the intro was created by Page using a violin bow on an acoustic guitar, as a backdrop to Jones' opening synthesizer solo. 8. Bron-Yr-Aur (Page) – Solo acoustic piece by Page, named after the cottage where he had composed and arranged much of Led Zeppelin III with Plant. 9. Down by the Seaside – Originally written as acoustic track in 1970, and was influenced by Neil Young. It was reworked as an electric track during sessions for the 4th album the following year. 10. Ten Years Gone – Page originally intended to be an instrumental, he recorded around 14 guitar tracks to overdub the harmony section. 11. Night Flight (Jones, Page, and Plant) – Recorded 1971 for the 4th album. Jones plays Hammond organ and Page plays guitar through a Leslie speaker. 12. The Wanton Song – For his guitar solo, Page employed a backwards echo (where the echo is heard before the note), and also put his guitar through a Leslie speaker. This was a technique Page had used as far back as his work with the Yardbirds, and faced serious opposition from audio engineers when he tried it on the earliest Led Zeppelin recordings. 13. Boogie with Stu - Jam session with Rolling Stones pianist Ian Stewart based around the Ritchie Valens song "Ooh My Head". Recorded in 1971 during the same session that produced "Rock and Roll" for the 4th album. 14. Black Country Woman – Recorded in the garden at Stargroves in 1972 for Houses of the Holy, as part of the group's desire to work in "off the wall" locations outside a traditional studio environment. 15. Sick Again - Written by Plant about underage teenage groupies, or as he called them, the "L.A. Queens", with whom the band were acquainted on their 1973 US Tour. Favorite Tracks: Down by the Seaside, In My Time of Dying, In the Light, Kashmir, Ten Years Gone Overall Score: 8.75/10 (Trey and Shawn) #LedZeppelin #LedZeppelinReaction #ReactionsToTheClassics #PhysicalGraffiti Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. All music used in this video belong to the original creators, and is intended for educational use only.