Recently, I posted an arrangement of "America the Beautiful" where I used equal temperaments 1-24 to sing it. Here is the transcription! (Original video) • America the Beautiful in EVERY TET from 1 ... I used native fifth notations for tuning systems where the chord qualities can easily be read, and subsets for the others. 21-TET is probably the hardest to read here. For example, the quality of the last chord is major (third in the bass with its larger ninth), but that's not easy to pick up on with double arrows, is it? Probably this transcription functions as a good experiment for readability in addition to being fun to try and understand and pick out each voice with. The changing pitch standards are not meant to inspire a sense of drift whatsoever, but are simply the result of transposing the pitch to the kinds of registers I was thinking whenever I was writing the arrangement. I had to transpose up the most for 15-TET, since, in 15-TET's native fifth notation, G-flat and F are the same, but I really wanted the G-flat key area to sound and look like G-flat might. Going to transcribe my red dress reharmonization soon :) A huge thanks to all my Now and Xen patrons for sticking with me even though I've been too busy to keep up with a regular level of output lately! If you're on the Now and Xen Patreon account, you get to download any arrangements I make as PDF's. Patreon: / nowandxen Website: https://www.stephenweigelcomposerperf... SoundCloud: / overtoneshock Bandcamp: https://stephenweigel.bandcamp.com/ #microtonal #transcription #acappella #xenharmonic