Titans vs Dolphins John Madden Tribute and National Anthem by Lindsay Ell

Wait till the very end…. :) …a little funny part :/ Lindsay Ell plays the guitar for America’s National Anthem before the Tennessee Titans play the Miami Dolphins football game on January 2, 2022 in Nashville, Tennessee where the Titans victory of 34-3 earned them the AFC South division title for the second straight year. Lindsay Elizabeth Ell is a Canadian country pop singer, songwriter, and guitarist from Calgary, Alberta. Her music incorporates elements of rock and blues. She is signed to the US record label Stoney Creek Records, an imprint of Broken Bow Records. Her debut extended play, Worth the Wait, was released in March 2017. “I’ve learned to care a little less about what everybody thinks,” says singer/songwriter/guitarist Lindsay Ell. “Following my gut instinct, truly saying what I want to say—that’s the magic, the elements that make you relatable and real. Before, I was worrying about writing for radio, for fans, but now this is what I know, this is my journey. And the more honest I get, the more effective it is.” With her new album, heart theory, Ell does just that, weaving the story of her journey of the heart in her own voice using her arsenal of tools as a musician and artist to give each song the sonic backdrop it deserves. “Theory is the science of music, heart theory is the science of a heart,” says Ell. The tracks take the listener along the path of the seven stages of grief: shock, denial, anger, bargaining, depression, testing and acceptance. “If my last record was called The Project, this one could be called the process.” From the shock-to-the-heart felt in the groovy opening track “Hits me” to the sing-along-at-the-top-of-your-lungs acceptance of the closing track “ReadY to love,” Ell invites you to experience her journey. Produced by the legendary Dann Huff, heart theory maintains a sonic depth and auditory aura while still conveying the emotional rawness and storytelling that highlights Ell’s growth since her debut album on Stoney Creek Records, The Project, which debuted at No. 1 on the Country Album Sales Chart and was named Billboard’s “Best Country Album of 2017.” That album spawned her first Top 20 hit in the US, as well as her first No.1 on the Canadian Country radio charts – making her the first female artist to top that chart in 10 years. Most recently, she scored her first No. 1 with “What Happens in a Small Town,” her duet with Brantley Gilbert – another milestone moment making her the first Canadian artist to hit No. 1 in the US since Emerson Drive’s “Moments” in 2007, and the first Canadian woman to reach the top of the charts since Terri Clark with “I Just Wanna Be Mad” in 2003. Over the past 3 years, Ell has shared the stage with some of the biggest acts in the world touring with Keith Urban, Brad Paisley, and Sugarland. She has more than held her own in moments alongside such artists as Mellissa Etheridge, Billy Ray Cyrus, Robert Randolph, Billy Gibbons and other legends. She has made multiple appearances on the CMA Awards stage including playing with Carrie Underwood and performing with distinguished country group, Little Big Town, alongside other powerhouse female artists in one the biggest moments of the 2019 CMA Awards where she was also nominated for Musical Event of the Year. Ell’s nominations do not stop there, she is a 2x 2020 ACM nominee for New Female Artist of the Year and Music Event of the Year. Concurrently though, Ell was grappling with the real-life complexities that come with growing up, even as a rising star. “The past couple of years, I’ve been through a lot,” she says. “A public break-up took me through all of the stages of heartbreak, I turned 30, I had a health scare and countless other hurdles. And I came out the other side as a full human. There are moments when life just smacks you in the face and you need to do the work of figuring out what that means, how it changed you, and how to take full control of your life.” Ell points to several of the new songs as examples of her evolution and sense of maturity. “There’s a song called ‘make you’ that’s about a trauma that happened to me as a little girl, something I have never publicly talked about,” she says. “Holding pieces of our story back means missing out on the opportunity to feel inspired, changed, drawn to make a difference. I got into this business to change people, to make them feel something. So, it was important to me to get really honest and say that all of us have skeletons in the closet, but those things make us who we are.”