C Jam Blues - Duke Ellington composition played by the Big Chris Barber Band 2011

C Jam Blues composed by Duke Ellington Solo's : Mike "Magic" Henry - trumpet Bert Brandsma - alto saxophone Peter Rudeforth - flugelhorn Bob Hunt - trombone David Horniblow - tenor sax Chris Barber - trombone Richard Exall - clarinet Backed by : Joe Farler - guitar Jackie Flavelle - bass Gregor Beck - drums C Jam Blues" is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin and Django Reinhardt. As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The piece typically features several improvised solos. The final solo, by Barney Bigard on the clarinet, continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from Bigard in 1941, but its origin is not perfectly clear.[1] It was also known as "Duke's Place", with lyrics added by Ellington. New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington's Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as "one of our more or less trite things." The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled "Jam Session" the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe "Tricky Sam" Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping. "C Jam Blues" was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band. Co-composer Barney Bigard left Duke's band in June 1942, and after a period of freelancing joined Louis Armstrong's All-Stars in August, 1947. "C Jam Blues" was one of his nightly features with Satch's ensemble along with "Tea for Two." Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980. In the late-1950s very simple words were added ("Baby, let's go down to 'Duke's Place'," etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong's All-Stars when they recorded "Duke's Place," featuring Louis on the vocal, with Ellington in 1961.