Orchestrating Falla, Part 2: C-D

MOVING FORWARD INTO THE LYRICAL, SUSPENSEFUL HEART OF FALLA'S MASTERPIECE ANDALUZA in the second part of score analysis covering my own orchestration. Along the way, I present my solutions to the problems of scoring broken octaves, avoiding predictable patterns, staying authentic to Falla's voice as an orchestrator, and much much more. Support the creation of free internet orchestration resources by joining Orchestration Online on Patreon:   / orchestrationonline   Visit the official Orchestration Online website and subscribe to our newsletter. http://orchestrationonline.com Join the orchestration online community by subscribing to this channel, checking in on Twitter @OrchestrationOL, and being part of the conversation on Facebook.   / 278568792265515