Sweeping and romantic! Cécile Chaminade's AUTUMN,  Études de concert, Op.35 (Pianist Duane Hulbert)

Sweeping and romantic! Cécile Chaminade's AUTUMN, Études de concert, Op.35 (Pianist Duane Hulbert)

Cécile Chaminade's talent has been overlooked for years. She has a remarkable gift for melody, lyricism, and drama. Her Autumn from Études de concert, Op.35 (written in 1893) demonstrates these qualities. Notes from pianist Duane Hulbert: "I' recently discovered Chaminade's Autumn and have fallen in love with this piece. Its musicality, structure, and harmonic beauty move me. It's time more pianists discovered this work (and Chaminade as a composer). Here are a few things to notice when listening to (or playing) this piece: 1) Listen for the melodic and LYRICAL opening theme from 0:02-0:30. (Gorgeous!) 2) At the MOLTO STRINGENDO, the music pushes ahead with ROMANTIC FERVOR from 0:31-0:44. 3) Listen for the MARCATO ( accented) bass line echoing the soprano line above at 0:45-1:00. 4) The opening theme returns with a PIANISSIMO (very soft) dynamic at 1:08, followed by a bridge theme based on the rising opening melody at 1:25, then by a bass line that echoes material from the opening theme at 1:33. 5) This section concludes beautifully with a D-Flat major cadence at 1:49. Then suddenly..... 6) A fiery middle section marked CON FUOCO (with fire!) ensues at 1:58. Note the key change to F minor. 7) As the cadence dies away (poco slargando), a new theme marked "Poco piu largo appassionato" first appears in the glorious key of G-flat major (2:13) with rising octave lines accompanied by rolling 32nd note arpeggios in the bass line. More technical brilliance appears from 2:27-2:43 with flashes of pianistic bravura. Chaminade finishes this section with cascading 32nd note octaves in both hands at 2:59-3:02.(Could she have been influenced by Franz Liszt's virtuosity here? It sounds like his style,) 8) From 3:02-3:22, the music finally reaches a quiet cadenza-like reprieve. 9) But the quiet mood does not last long! At 3:24-3:50 a brilliant 32nd note passage again breaks the calm. 10) After the last arpeggio dies away at 3:58, the D-flat major theme is heard again, ending this exquisite piece with delicate arpeggios that float away (5:56). This piece is one that's worth listening to several times. I find it appealing and rich. Truly enjoyable!" If you value classical music, please subscribe to our channel. THANKS FOR WATCHING!