Let's enjoy our Playlist for ALL 09 Pieces from ABRSM Piano Grade 4 2025 - 2026 here: • ALL 09 Pieces Grade 4 (ABRSM 25-26) A:3 – Menuet and Trio (Third movement from Sonata in C, Hob. XVI: 1) by Joseph Haydn (1732 – 1809) Note from ABRSM At the time when Haydn composed this Menuet and Trio, he would have been writing not for the pianoforte of today, but for the much more delicate-sounding fortepiano, with leather hammers and thin harpsichord-like strings in place of the metal frames and wooden hammers of the modern instrument. This elegant C major Menuet, with its cheerful triplet figures and elegant ornamentation, is sunny and open. When the C minor Trio starts, with its very different and more unsettled feel, it's like a cloud passing over, with some darker tones to find in the instrument before the sun returns on the da Capo. Source: Early copyist's MS titled Partitta per il Clavi Cembalo. Del Sig. Giuseppe Hajden. Staatsbibliothek zu Berlin, Preussischer Kulturbesitz, Mus.ms. 10107. All dynamics are editorial, as are the trills in bars 6 and 18, the slurs to appoggiaturas in bars 6, 10, 18 and 35, and the Fine in bar 20. Note from channel Difficulty evaluation (for Grade 4): 8/10 The Menuet and Trio, the third movement of Sonata in C Major, Hob. XVI:1 by Joseph Haydn, is a refined and elegant dance full of Classical charm. The Menuet, in C major, is bright and graceful, featuring lively triplet figures and delicate ornamentation. While the articulation is non-legato, it should still maintain a clear and flowing melodic line, embodying an elegant character. Balance between the hands is essential—the right hand should be slightly detached throughout, while the left hand provides a supportive, well-shaped accompaniment. In contrast, the Trio (bars 21–43) allows for a more connected touch, with longer tones enhancing its lyrical quality. The shift from C minor (bars 21–28) to E-flat major (bars 29–35) brings a noticeable change in color and expression, which should be carefully highlighted. To achieve precision and stylistic clarity, it is highly recommended to practice hands separately with a metronome, ensuring accuracy in articulation and dynamic shaping. #pianogradepathway #abrsmpiano #haydn