“Aleppian Wedding,” a concert with the Aleppo Ensemble and Mohamed Alsiadi

**NOTE: The sound significantly increases after the introductions** Fordham’s Center for Jewish Studies and the Arabic Studies Program present a program, “Aleppian Wedding”: Songs from Shared Traditions, performed by the Aleppo Ensemble. The Aleppo Ensemble is a New York-based group devoted to performing and preserving the rich heritage of wasla music, song, poetry, and dance from Aleppo. The group’s mission has been made all the more urgent in recent years with the physical and cultural destruction of Aleppo, long the cultural capital of Syria, where Muslim, Christian, and Jewish traditions came together. Through their work, the Aleppo Ensemble strives to reach Syrian refugees as well as Syrian Americans, Jewish and Muslim, whose history in the U.S. goes back over a hundred years. The Aleppo Ensemble’s music and story is a timely reminder that cultural traditions are often deeply held across time and place, often in spite of historic humanitarian crises. The wasla is a musical suite that is the focal point for evening gatherings devoted to traditional Arab classical music. Dating back hundreds of years, the Aleppian wasla is heard at both Sufi religious events and secular performances. Based on various Syrian and Arabic maqams (modes), the wasla includes both improvised and composed instrumental and vocal pieces. The Aleppo Ensemble was co-founded by the band's percussionist, A. P. Joseph, whose grandparents immigrated from Syria to the United States, and Mohamed Alsiadi, Ph.D., an oud virtuoso, who grew up in a music-loving Sufi household in Syria. Living through the civil war that ravaged the country from 1979 to 1982 made Alsiadi realize the need to preserve the legacy of Aleppian waslas. After that war concluded, Alsiadi's mother found a box of wasla cassettes that he came to treasure. Alsiadi spent eight years studying with oud master Nadim Al Darwish, the son of Ali Al Darwish, an early 20th century musician and scholar who has been called one of Aleppo’s most famous musical sons. Alsiadi began collecting and transcribing waslas from Syrian musicians and radio stations while also launching an accomplished career as a performer and academic. In 1996, Mohamed Alsiadi moved to the United States, where he is now a senior lecturer in Arabic at Fordham. As the city and culture of Aleppo are once again suffering from the devastating effects of the Syrian war, Alsiadi has brought its music to venues as prestigious as Carnegie Hall, where he has performed with his collaborator, the pianist and composer Malek Jandali. But also part of his mission is posting videos of waslas on YouTube where Syrian refugees around the world can see them. ‘ ‘Wasla is one of the few things they cannot destroy” says Alsiadi, ”because you cannot shoot music. You cannot kill music. Words sway thoughts, music moves hearts, and together they can spur action and affect the course of history.”