Never Again Green Screens in Final Cut Pro?! +Automatic color conform for SDR/HDR and much more!

Never Again Green Screens in Final Cut Pro?! +Automatic color conform for SDR/HDR and much more!

My very first video!!! Well ok... on this channel 😉 From now on you will find all German content exclusively here! If you want to watch the previous videos before I upload them here again, then check out the English channel!    / @postpros-e   In this video we want to talk about the new features of Final Cut Pro. The new features since Final Cut Pro 10.6.6, including: "Mask to remove from a scene": This filter can automatically remove the background of a video clip without the need for a green screen. Color Adjustment for SDR/HDR: This feature can automatically adjust the color of a video clip to look good on both SDR and HDR displays. New color presets: As of Final Cut Pro 10.6.6, there are new color presets. These presets can be used to quickly get a good starting point for your color grading. ProRes RAW settings window: As of Final Cut Pro 10.6.6, there is a new window for accessing the ProRes RAW settings. This window gives you more control over the raw settings for your ProRes RAW clips. Camera manufacturer-specific processing: You can use Final Cut Pro v10.6.6 and later to apply camera manufacturer-specific processing to your ProRes RAW clips. This processing is optimized for the specific camera you shot the clip with. We'll also talk about a few other new features in Final Cut Pro for iPad and Mac, including Live Drawing Tool: this tool allows you to draw on video clips with an Apple Pencil or your finger and import them into Final Cut Pro for Mac. Dynamic Soundtracks: These music tracks can automatically adjust to the length of your project. More new masking and keying filters: There are new/improved masking and keying filters in Final Cut Pro! 🇺🇸 PREFER ENGLISH?:    • No Green Screens in Final Cut Pro Ever Aga...   🇺🇸 ➡️ How to update Final Cut Pro X SAFELY:    • Wie man am SICHERSTEN ein Final Cut Pro (u...   00:00 - Intro 02:09 - Final Cut Pro for iPad 02:48 - Importing a Final Cut Pro for iPad project into Final Cut Pro for Mac 03:47 - iPad project features 04:12 - The Color Adjustments filter 05:45 - Adjusting the color adjustments 06:30 - The live drawing tool on the Mac 07:30 - Using dynamic soundtracks in Final Cut Pro for Mac 08:18 - Mask to remove a scene 09:25 - How does the remove scene mask work? 10:01 - Where do you find the mask? 10:50 - What do I need to consider when recording? 12:23 - Application example 1: human AND dog 13:21 - What setting options are there? 15:01 - Using the mask for targeted color correction 16:14 - Application example 2: Cars 17:18 - Using the mask for targeted effects 17:41 - Application example 3: Masking animals 18:25 - Fine-tuning with a color mask 19:21 - The result compared to "Keyper" 19:47 - Adding a dynamic background 20:31 - Application example 4: Scooter rider in the skate park 21:14 - Application example 5: Even with depth of field? 21:45 - Another comparison with "Keyper" 22:08 - FREE "SRM Editor" filter! 22:39 - Refining the mask with the "SRM Editor" filter 23:03 - Application example 6: Candles 23:36 - Improving the mask with a mask 23:52 - Comparison with a green screen 24:38 - Comparison with a "real" key 24:58 - "Keyper" vs. green screen 25:53 - The trick with the still image 27:01 - Intro to automatic color adjustment 27:52 - What is an automatic color adjustment for? 28:28 - Why is my clip completely overexposed? 29:35 - Solution: The correct tonal value assignment 30:41 - Setting the automatic adjustment 32:10 - Examples of color matching: HDR to SDR 33:51 - Correctly adjusting SDR to HLG 34:34 - Luminance in the RGB parade 34:57 - Correctly adjusting SDR to PQ 35:25 - The automatic adjustment when importing 36:44 - Automatically creating HDR projects 36:57 - Adjusting older titles for HDR 37:38 - Example of a problem case: motionVFX titles 38:34 - Solution 1: Adjust manually 39:45 - Solution 2: Adjusting titles in Motion 40:49 - Presetting the HDR white level 41:48 - Using the customized title in Final Cut Pro 42:21 - New color presets 42:58 - Presets for the color plate 43:34 - Color grading presets 43:59 - Using dynamic backgrounds 44:44 - Using dynamic titles 45:10 - Using dynamic transitions 45:31 - Using "basic" titles 45:55 - Using patterned backgrounds 46:13 - Using "Oblected" titles 46:36 - The Chromaverb audio filter 47:22 - The DeEsser 2 audio filter 47:54 - The Vintage Tube EQ audio filter 48:13 - ProRes RAW settings window 48:31 - ProRes RAW plugin for camera manufacturers 49:03 - Using the RAW settings window 49:42 - Canon RAW plugin Translated with www.DeepL.com/Translator (free version) ⭐️ INFOS AND LINKS FROM THE VIDEO ⭐️ MANY THANKS TO: Alex "4D" Gollner: https://alex4d.com Christopher Langen of Bureau of Stories for the SDR example clip: https://bureauofstories.com Stuart Morgan for the Canon EOS R6 clip: https://stuartmorgan.tv ⭐️ DOWNLOADS: ⭐️ Canon ProRes RAW camera plugin: https://asia.canon/en/support/0200692402 POSTPROfx "SRM Editor" plugin: https://bit.ly/SRMInstall