At Dawn by Charles Hermans Charles Hermans (1839–1924) was a Belgian painter associated with Realism and later Symbolist moods, often focusing on modern life, melancholy, and psychological tension. ABOUT THE PAINTING. At Dawn depicts the quiet, fragile moment just before or after sunrise. Rather than celebrating morning as joyful, Hermans treats dawn as a liminal hour—a transition between night and day, sleep and awakening, despair and hope. MOOD & ATMOSPHERE The atmosphere is somber and introspective, not bright or triumphant Figures (when present) often appear isolated or exhausted, suggesting emotional or moral fatigue Dawn here symbolizes uncertainty—a new day begins, but nothing promises it will be better Hermans was deeply interested in the psychological state of modern people, and this painting reflects that: dawn is not rebirth, but a moment of reckoning after a long night. ARTISTIC SIGNIFICANCE Aligns with late 19th-century realism, moving away from romantic idealism Uses muted tones and restrained light to emphasize silence and emotional weight Anticipates Symbolism by focusing less on action and more on inner states IN SHORT. At Dawn is not about light winning over darkness, but about what remains when darkness slowly loosens its grip.