Get the FILM LOOK with ANY camera! Dehancer Pro Film Emulation In-depth Review & Walkthrough NO LUTS

This is an in-depth review of Dehancer Pro (a film emulation plugin for Davinci Resolve Studio) and detailed walkthrough explaining and showing every module in action and how it affects the digital source footage. The video starts with a brief introduction to film emulation philosophies and different approaches on how filmic characteristics can be added to your video. Ultimately the author explains what "ingredients" are necessary for a moving picture to feel "cinematic". After that different source footage will be dealt with such as SLog3.cine, D-LOG M, Rec 709. and HLG clips. The extensive walk through segment highlights the vast toolset Dehancer Pro comes with and how each module / tab can improve your image. The entire video is accompanied by different b roll clips from Sony FX3, Sony FX30 and Canon C70 cameras. This log footage is graded with different combinations of Dehancer's huge catalogue of film stocks, features and tools in mind. Emphasis is placed on expanding flat images, compressing log footage with high dynamic, how to handle with blown out highlights, subtle implementation of effects such as bloom and halation, adding organic looking grain and changing middle gray for creative intent. The entire review is accompanied by diverse b roll footage which is showcasing different color grading options and combinations of plugins used. Various print and negative stock pairings were used. If you are interested in trying out Dehancer plugins or want to give their photo editing applications for Lightroom or their mobile app a try, here is a 10% off discount code for you - just enter 'MAASS' at checkout for 10% off on Dehancer and Dehancer Pro: www.dehancer.com Timestamps: 0:18 No Film Emulation OFX Plugin, DCTL or Power Grade is created equal - a harsh truth 0:39 "What makes an image or movie cinematic?" 0:47 Qualities and attributes which make us prefer an image over another and/or caters THE FILM LOOK / CINEMATIC feel 1:47 Evoking the feeling of nostalgia through the rendition of a certain color palette 2:10 Technical, quantitative metrics / measurements for how accurate film emulation may be 2:25 Crafting an organic image from a digital source clip 2:29 Using Halation and other elements of analog film to trick the viewer into thinking the image could really be shot on film 2:56 Kodak adds an anti halation layer (AHU - Anti Halation Undercoat) to their beloved 2383 Print stock - how does this advancement alters the perceived image in the future? Will the removed remjet layer be visually pleasing for viewers, directors and DPs? 3:55 Changes like the one Kodak has implemented makes creative rethink of how they want their scenes to be captured and what's the intend behind their choice 4:37 Dehancer Pro's terrific modules and toolset 5:30 Use discount code 'MAASS' for 10% off on all Dehancer plugins 6:24 Film emulation and specific color spaces that needs to be respected vs. film look plugins such as Dehancer Pro which can be used in different color managed workflows and color pipelines which also work in wide gamut color spaces, too 10:22 Print module: Color Density 11:37 Print module: Analogue Range Limiter 12:13 Film developer and how to use it 13:02 Film compression - taming highlights 14:57 Expanding the dynamic range of an image: creating and increasing contrast with black and white point adjustments 16:22 Color head settings: giving the image a color wash 16:43 Making quick global color corrections with the color head sliders 17:07 Target white slider: way better than white balance or temperature adjustments 17:58 Film Grain 18:14 Positive film grain is gorgeous and my favorite mode 19:58 Bloom 20:20 When and how much bloom is necessary 20:33 How to dial in halation properly 22:53 Film breath and what it does 23:17 False color / Evaluating the exposure and contrast of a scene 23:54 LUT Generator for Monitoring LUTS on set 25:08 Print section modifications with other SLOG3.cine footage 25:53 Negative film stock families 26:26 Film Emulation for digital intermediate workflows: top to bottom approach vs. photochemical accurate processes 27:21 Mixing stock families / Vision 3 50D + Fuji 3513 28:09 Kodak Endura Glossy Paper 28:50 Tonal Contrast is a super power 28:55 Sigma 17-40 E Mount Examples and sample footage 29:26 Using Dehancer to grade Rec 709 footage 29:38 How to save an over exposed image with lack of contrast or why to bring more ND filters 30:34 Exposure compensation behaves like the HDR Global wheel and thus is color space aware 31:32 Gamma Correction 38:02 Color Grading D-Log M files 39:22 Correcting exposure upstream in your color pipeline and color workflow 41:12 Quick turnaround times for clients 41:43 Dehancer's print look as a baseline 45:49 Subscriptions, perpetual licenses and pricing 46:02 How I use Dehancer in my workflow 46:13 Texture related tools and plugins 46:30 Color grading photos with Dehancer 46:42 Dehancer iOS and mobile app