MOZART Quintet in E flat for Horn, Violin, Two Violas and Cello, K 407, III Allegro

Radovan Vlatković, horn; Benjamin Beilman, violin; Paul Neubauer, viola; Lily Francis, viola; Timothy Eddy, cello MOZART: Quintet in E flat for Horn, Violin, Two Violas and Cello, K. 407, III. Allegro Violinist Benjamin Beilman has won praise both for his passionate performances and deep, rich tone which the Washington Post called “mightily impressive,” and the New York Times described as “muscular with a glint of violence.” Highlights of his 2018-19 season include play-directing and curating a program with the Vancouver Symphony; making his debut at the Philharmonie in Cologne with Ensemble Resonanz and with the Munich Chamber Orchestra in Koblenz; performing Four Seasons with the Cincinnati Symphony and Richard Egarr; returning to the City of Birmingham Symphony; and debuting with the Royal Scottish National Orchestra and Elim Chan. His European recital and chamber music engagements include the Moritzburg Festival, Concertgebouw, and Wigmore Hall for a BBC Radio 3 live broadcast. He released his first disc for Warner Classics in 2016, titled Spectrum and featuring works by Stravinsky, Janácek, and Schubert. An alum of The Bowers Program (formerly CMS Two), Mr. Beilman studied with Ida Kavafian and Pamela Frank at the Curtis Institute of Music, and Christian Tetzlaff at the Kronberg Academy. He plays the "Engleman" Stradivarius from 1709 generously on loan from the Nippon Music Foundation. Cellist Timothy Eddy has earned distinction as a recitalist, soloist with orchestra, chamber musician, recording artist, and teacher of cello and chamber music. He has performed as soloist with the Dallas, Colorado, Jacksonville, North Carolina, and Stamford symphonies, and has appeared at the Mostly Mozart, Ravinia, Aspen, Santa Fe, Marlboro, Lockenhaus, Spoleto, and Sarasota music festivals. He has also won prizes in numerous national and international competitions, including the 1975 Gaspar Cassado International Violoncello Competition in Italy. He is a member of the Orion String Quartet, whose critically acclaimed recordings of the Beethoven string quartets are available on the Koch label. A former member of the Galimir Quartet, the New York Philomusica, and the Bach Aria Group, Mr. Eddy collaborates regularly in recital with pianist Gilbert Kalish. He is currently professor of cello at The Juilliard School and Mannes College of Music, and he was a faculty member at the Isaac Stern Chamber Music Workshops at Carnegie Hall. Violist Paul Neubauer has been called a “master musician” by the New York Times. He recently made his Chicago Symphony subscription debut with conductor Riccardo Muti and his Mariinsky Orchestra debut with conductor Valery Gergiev. He also gave the US premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower and has been featured on CBS's Sunday Morning, A Prairie Home Companion, and in Strad, Strings, and People magazines. Mr. Neubauer is the artistic director of the Mostly Music series in New Jersey and is on the faculty of The Juilliard School and Mannes College. One of the leading instrumentalists of his generation, Radovan Vlatković has travelled the globe performing extensively as a soloist and popularising the horn as recording artist and teacher. Born in Zagreb in 1962 he completed his studies with Professor Prerad Detiček at the Zagreb Academy of Music and Professor Michael Höltzel at the Music Academy in Detmold, Germany. Radovan Vlatković is the recipient of many first prizes in national and international competitions, including the Premio Ancona in 1979 and the ARD Competition in Munich in 1983 – the first to be awarded to a horn player for fourteen years. ---- DISCLAIMER ---- No copyright infringement intended. I do not own this video, nor do I make money from it. Everything belongs to its respective owner. I just wish to share this music with everyone. If anyone has a problem with this video, please let me know and I will take it down. Otherwise, enjoy! - - - - - - Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.