🎬 Extra Thoughts on Maargan (Post-Review Notes): In a time when even big-banner films with star power sometimes miss the mark, it’s refreshing to see debut directors and writers attempting something genuinely engaging. Maargan may not be perfect, but it deserves attention for its bold mix of crime thriller and supernatural elements. That said, the film isn’t without its flaws: Ajay Dishan’s performance, especially in the flashback portions, lacked maturity at times. It’s debatable whether those scenes needed that much screen time. Vijay Antony too could have emoted more in certain sensitive scenes where silence didn’t always convey depth. A few shots lingered longer than necessary, creating avoidable lags. The decision to explicitly name and show drugs felt unnecessary. The reveal/hint about the killer shortly after intermission dulled some of the suspense. And yes, there are the usual logic gaps you'd expect in this genre. (Other minor negatives are covered in the video.) Still, the film manages to hold attention, thanks to its layered screenplay, fresh approach, and unique genre blend. The suspense is sustained well enough to keep you guessing for most of the runtime. We often appreciate films like Constantine or Bogan that experiment with pseudo-scientific or mystical elements. So when a Tamil film tries something similar and mostly pulls it off, it’s worth acknowledging — especially as a debut effort. Bringing supernatural themes into a crime thriller isn’t easy, and it takes guts to attempt it in a grounded, low-masala style. 🎯 Crime thriller lovers will likely find this one worth watching. 👀 For general audiences, go in with an open mind about the parapsychology angle, and there’s a fair chance you’ll walk out satisfied. Also… if you’ve watched the film, you’ll understand why this video uses that specific filter. 😉