Kingdom Planet of the Apes

Kingdom of the Planet of the Apes is a 2024 American science fiction action film directed by Wes Ball and written by Josh Friedman. It is the fourth installment in the Planet of the Apes reboot film series and the tenth film overall, serving as a standalone sequel to War for the Planet of the Apes (2017). The film stars Owen Teague, Freya Allan, Kevin Durand, Peter Macon, and William H. Macy. The film takes place many generations after the events of War and follows Noa (Teague), a young chimpanzee who embarks on a journey alongside Mae (Allan), a human woman, to determine the future for apes and humans alike. Development on a new Planet of the Apes film began in April 2019, following Disney's acquisition of 20th Century Fox, with Ball attached as writer and director that December. Much of the screenplay was written during the COVID-19 pandemic in 2020, with casting commencing in June 2022, following the screenplay's completion. Teague was cast in the lead role that August, with the film's title and additional casting announced in the following months. Principal photography began in October 2022 in Sydney and wrapped in February 2023 with a budget of $160 million. Filming Principal photography began in October 2022 at Disney Studios Australia in Sydney, with funding partially provided by the Australian Government, under the working title Forbidden Zone. Filming concluded on February 15, 2023. Ball added filming primarily occurred on location alongside using motion-capture technology. Post-production and visual effects Erik Winquist served as the visual effects supervisor, with vendors including Wētā FX, which had previously done work on the prior three Planet of the Apes reboot films. ] Ball stated the film did not use The Volume technology, which had previously been employed for The Mandalorian, focusing on filming on-location and using full CG. He went on to compare the film's CG to that of James Cameron's Avatar franchise. The team used techniques for their previous film Avatar: The Way of Water (2022) when working on an action sequence involving a human-hunt taking place on rivers. This was due to requiring the CG models of apes based on motion-capture performances to appear realistic when interacting with water.